Reviews: excellent Indy comic with emotional punch – Ether

Published On May 26, 2017 | By Joe Gordon | Comics, Reviews

The Ether #1,

Matt Garvey, Dizevez

I’ve been hearing good things about Matt Garvey and Dizevez’s The Ether from colleagues in some other FP stores who had managed to get some copies in directly from Matt, so when some arrived in the branch where I’m based I was understandably curious to see what the fuss was about. I am very glad I did.

It’s a strong opening with a very upsetting scene – although one handled visually but Dizevez with some tact, keeping the emotional impact but not using any gratuitous details. Which I was glad of, because it involved the killing of a child, and while that’s a powerful narrative motivation, we really don’t want to see the details, the idea is horrible enough. Dizevez adds nice touches that you don’t notice straight off, attention on the foreground with the detective and a constable standing over shrouded body, but then you notice the light from a nearby doorway in the background and only then realise there’s another officer there, holding himself up by the door frame, shoulder heaving, physically sick at what he’s just witnessed.

Enter our masked vigilante, Ether, in a dapper suit that wouldn’t be out of place on a 60s UNCLE agent or other stylish superspy, but partnered with a daffodil yellow shirt and purple tie (nicely co-ordinated with purple gloves). And topped off by a mask which encompasses the entire head and face, a tight-fitting disguise which appears to have a map of a city printed all over it. The inescapable comparison to any comics reader is, of course, to Watchmen’s Rorschach – suit, gloves, that total head-covering mask. And as Ether offers to help the police find whoever is behind this, and other recent abductions and murders, embarking on a trawl through the local lowlife, asking questions and beating out answers, it reinforces that comparison…

…Except Garvey and Dizevez are obviously well aware readers are going to be thinking that way, and in the latter half we see… Well, actually, I really can’t go into that much because it’s a lovely change in the road that the story seemed to be following. And while I will refrain from describing it because of spoilers, I must say I loved it – it changed the entire tone of the comic and, more importantly, it brought in a very human-level to everything, an emotional engagement (actually a number of them), which was extremely satisfying, and which shattered that Rorschach-clone impression. No more on that, except to say it was brilliant – but you need to read it, not hear a reviewer outline it (and spoil it).

There are some lovely touches here too – there’s that background officer being ill at the sight of the small body I already mentioned, but there are other nicely crafted details throughout. Ether chiding the police for referring to the small body as “the victim”, “Can you both STOP referring to this child as The Victim? Show some respect.” Only to have the detective, his pose the one of a world-weary man who thought he had already saw the worst but had just found a new, lower level of horror, turn to him angrily and explain that he has kids himself and referring to the child as “the victim” is a distancing technique that allows him to process the crime scene and do his job, otherwise he’d fall apart. It’s a good addition to the story by Garvey and a reminder of how many wretched scenes our emergency services deal with (something we were most horrifically reminded of this week), and that for all their calm professionalism, they’re human, and these most awful moments they have to deal with leave a mark on their soul.

That sense of actual humanity is pervasive throughout this first issue and it was a quality which elevated this beyond just another superhero vigilante tale. Dizevez’s art exudes atmosphere, that Noir-esque night-time city, full of nocturnal predators, rain-slicked streets, scenes little by the sickly yellow glow of sodium street lamps, or in a fight in a seedy red-light district the mixture of the hooker-red neon “XXX” sign combined with the sodium yellow casting garish coloured light across the night.  I can’t wait to see what happens in the second issue.

The Ether #1 is available in most of our stores now (check with your local branch), or you can get it from Matt’s Big Cartel online shop here

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About The Author

Joe Gordon
Joe Gordon is ForbiddenPlanet.co.uk's chief blogger, which he set up in 2005. Previously, he was professional bookseller for over 12 years as well as a lifelong reader and reviewer, especially of comics and science fiction works.

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